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Sehr geehrte Damen und Herren,

Der Anregung von Hans Bäck folgend, möchte ich den Beitrag über das Dilemma von Zeitschriften bei der Beurteilung von unausgereiften literarischen Texten kommentieren.

Eine Literaturzeitschrift ist m.E. ein Medium, um Texte einer möglichst breiten Leserschaft zur Beurteilung zur Verfügung zu stellen. Nicht die Zeitschrift und nicht die Juroren beurteilen ein Stück, sondern einzig und allein der Leser. Außerdem ist Literatur nicht Mathematics, there is no absolute good and absolute evil, it can not be passed because it is very subjective assessments. Consider as an example of Dario For "Misterio Buffo", which helped the author to a Nobel Prize but most readers felt to be devoid of meaning was bawling. The wetlands, which were long on the top places in the hit parade were not seen as a consensus masterpiece.

So I would argue that it is making in non-obvious (= objectified) nonsensical texts the first attempt at a presentation of the piece, but with a feedback mechanism is provided that will allow the magazine, which Acceptance of a text by the audience to find out. I can imagine a form of school grades, or even a query over the Internet. The main thing would be to abandon the idea of authentic texts can be divided into "good" and "bad". This is exactly what many authors complain to publishers: the one-sided selection, possibly on public taste over. begin

Yours, Yours sincerely


Julius Franzot

How To Avoid Regurgitation Of Food

Graßmugg pickings


As for the students in July, the holiday, the period for us as a club this month, our "official" Sommerpause.
Das bedeutet aber lediglich, dass die regelmäßigen Dienstag-Abend-Treffen in unserem Vereinslokal nicht stattfinden.
Sehr wohl gilt es auch in dieser Zeit die verschiedensten Termine wahrzunehmen. Vor allem die Vorbereitungsarbeiten für das REIBEISEN Nr. 28 müssen erledigt werden.

Am 2. Juli hatten wir unsere diesjährige Generalversammlung.
Gemäß unseren Statuten findet die Wahl des Vereinsvorstandes im Zweijahresrhythmus statt. Die nächste Neuwahl wird es also bei der Jahreshauptversammlung 2011 geben. Diesmal lag der Schwerpunkt bei den Berichten zu den zahlreich durchgeführten Veranstaltungen des abgelaufenen Arbeitsjahres und der Vorschau auf bereits in Planung befindliche Projekte.
A major decision - adopted unanimously - is to increase the annual membership fee from 2011 to 25 - €.
In the event that a member of the application of this amount is not possible, was granted to the Executive Board, the membership fee for hours due to special circumstances.

course, is the literary fallen off of our association in any "summer sleep." Here are two part-messages:

The German Academy for Language and Literature has reached agreement on who should receive the prize of 40,000 euros Georg-Büchner Prize 2010: It is born in 1953 in East Berlin Reinhard Jirgl be. Although a writer at a young age active, took up the literary success Jirgl only after the turn. Since that time has both its release and prices and award list for a considerable length.
The award of the Georg Büchner Prize will take place on 23 October 2010.

The Swedish author Per Olov Enquist received on 25 July 2010 the Austrian State Prize for European Literature 2009 ". The
worth 25,000 euros, the award was presented to the major European storytellers Minister of Culture Claudia Schmied in Salzburg.
is with this award for his literary oeuvre Enquist in einer Reihe mit Schriftstellern wie Umberto Eco, Salman Rushdie, Milan Kundera, Friedrich Dürrenmatt, Simone de Beauvoir, Harold Pinter u. v. a.

Noch viele schöne Urlaubs- oder einfach nur Sommertage (und –nächte)
wünscht euch

Sepp Graßmugg

Creame Of Tatar Help Loose

July 2010 on the death of the Austrian writer Brigitte Schwaiger


Als Vorbemerkung: Ich habe den Erstling „Wie kommt das Salz ins Meer“ der Autorin vor vielen Jahren (erschienen 1977) mit großer Begeisterung gelesen. Und war von den folgenden Büchern enttäuscht, wie viele andere Leser auch. Dann las ich jahrzehntelang nix mehr von Schwaiger, erst im Jahre 2006 oder 2007 fand ich in der Wochenendbeilage der „Presse“ in the "spectrum" now and then an essay about her. She described her experience in psychiatry, treatment, the (partial) success and her life with depression. Known, they chose 26 July 2010 the "shorter way" - she was found in the Danube.
could now Schwaiger her book "dropping" in which she describes her experiences with her illness, in Cernin-Verlag release and in an interview that has now been repeated on the occasion of her death on Ö1, point out how her writing as therapy and has helped to therapy. Since I would like to tie:

We know, dear friends of literature, there are infinitely many Situations in life that people can throw off the track, which he "beat up", etc. And, the parties have different approaches to "derrappeln" again and again to find their way back to try a restart to make it. ..
Whether it's the death of a close family member, a professional failure, separation from a partner, a disappointment, no matter, we all know what we can get people in all. Often requires only a very ordinary "burn out" to no longer know what to do next.
it, then I get to the core question: Again and again we see that with their authors 'writing therapy' to us . Come Now we're not therapists and can not help in this regard. What we can do is to assess the text. Is it literature in order to vote the images, metaphors, language is consistent and in accordance with the person and the act is simply short of craftsmanship. And very often that's just unfortunately not the case, and we as writers will take the view "of the text is not responsible for literature." Even our judges for the grater every time there are very correct, omit the personal motivations and assess exclusively on literary criteria. And so we have opened the door to conflict. Suppose that an author who mostly Are there writers who hope to come by letter from the penalty situation, we find it perhaps even more deeply into it? Or should we recognize, in this case a man struggles to his "recovery" to his humanity, to improve its situation, and we proceed as pedantically and judge for missing comma. On the other hand, I always take the words of Peter Bichsel orientation as her "If I'm sick I go with my symptoms to the doctor and not a publisher," on the other hand, we might make a promising approach to improve destroy a life situation.
Dear friends of literature, we, our judges, the editors, and ultimately we are all together, standing here in front of a Dilemma. When we compare this "therapy texts" assume we have the accusation - especially by those who do not know the history - we can print from any rubbish, on the other hand, we take the persons concerned of the possibility of help.
What do you think that? We have sufficient "affected" in our ranks, consisting of one or other of the listed reasons at the start, beginning with the letter, what do you think now in retrospect about how we should deal with such therapy texts?
It was so in the past repeatedly that authors (and here again most authors) with the time at their language, work on their texts and make quite passable's condition, which may arise without further competition, many have even found their way to publishers. That is a welcome development, but if someone refuses to accept our suggestions, the cocoon-like hiding behind the disease?

What do you think that? Give your comments, your own contributions to the moderator of the blog, to majolika@email.de we look forward to your responses (especially those which eventually were once concerned itself). If desired, Reinhard Mermi true quite the anonymity of the submissions!
you would help us evaluate such texts might be a little different.

the way, the two mentioned Brigitte Schwaiger books are available in bookstores and well worth reading. And the interview can be requested via oe1.orf.at of interested parties (Series "Interview - from the 5th and 6th August 2010).

Hans Bäck