was in the forum noted that the / one or the other at the end of a book wants a more explicit representation of the relationships between the heroes. As Figure A is following all the events to figure B, which shows C thinks about it, etc. Here is my answer, which is applicable to many of my books:
principle is always two fractions: one which, under the actual showdown all that much to see or read (see, eg, the general criticism at the end of the third Lord of the Rings movie), and those who see all the characters again and again want to have strung the relationships individually. I usually try to find a middle way - that there is almost always once more scenes between the protagonists, but often with only indirect dialogue. To End, I think it's more emotional, since there is no longer about the details, only the feelings of the characters, and are sometimes flash point to better advantage than in long, fully formulated discussions.
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